But suddenly, something happened that saved my life. As a young writer, I had been publishing poems, short stories and articles for years, in the local newspapers and magazines, under the pseudonym “Shakespeare of Baghdad”. The name caught the attention of military commanders, who were looking for writers and journalists to work in their propaganda wing, and began looking into my whereabouts, until in the end they found me and pulled me out of the hole where I had been buried
Because of the extraordinary state of emergency declared in America and Europe immediately after the terrorist incidents, I head directly from the coffeehouse to my Paris home. I am welcomed rather anxiously by my beloved house robot, Bahlul. His artificial intelligence programs system, which is linked to the internet, learned that danger threatens the entire inhabited world. The moment I arrive his eye’s cameras direct their electronic sensors
The identity crisis so keenly experienced by some of the characters in the novel is as personal as it is political. For example, “Darwish’s book” in the first chapter is Albert Hourani’s History of the Arab Peoples. Now dying of lung cancer, Professor Darwish begins to ponder the figurative cancer in all of his failed relationships. Hourani’s book opens a window into this dark world.
Subsequently, what she liked to call “currents of moderation” had swept over her and carried her far from the ideas of political Zionism. She had actually come to hate the lofty but threadbare claims on which that movement had been established. Then she had worked intently for many months and produced two extraordinary studies on cultural Zionism.
THE FAMILY The trumpet came in through the windows, blowing a pain that the mothers had parcelled and stored away, hiding it in cracks and...
I remember the grave, the darkness, the two angels and the hammer of repudiation and I hear muttering. I hastened and so did my pursuer: there was a dead woman in the alley, her chest bore sharp marks and blue flies were feasting around the clogged blood. Mother Rahma, the kind, bent woman pushing children into life, was found dead.
Her last husband, who was the imam and muezzin of the mosque in Tidikelt, had drawn her attention thanks to his beautiful voice when it reminded the faithful to pray to their God five times a day. At first, the muezzin had been a little disconcerted when he’d heard his wife speak to her bees in Latin
It was a rainy day in Brussels, and on that cold, wintry day the view of the city was gloomy, gray and wet from that apartment window in the Matonge neighborhood. Everything from that view was awash with water: Shops, streets, the passenger’s faces, cars, trees, dumpsters, and the barstools on the sidewalk. Women, wearing rainy coats and umbrellas, walked slowly towards the Porte de Namur metro station from Ixelles Avenue, while others were running, trying to find shelter beneath the cornices and umbrellas of Boniface shops.
Khaled Khalifa writes about his native city with sensuality and an almost feral intensity in his new novel, “No Knives in the Kitchens of This City.” The book focuses on just one family, and it stops several years short of the Syrian civil war. But it offers a glimpse into how terrified and empty of hope the people of a city must be to rise up in revolt. The future offers them nothing. It is a castle of closed doors.
I named him Robin, based on the assurances of our bird-loving neighbour. When I expressed my doubt about the name due to the incomplete red ruff on his neck feathers, he told me: “This is a young bird. The full red has not yet appeared on his feathers.”
Banipal’s core mission is to bring readers gems, in translation, from the wealth of creative writing being produced across the Arab world today. Banipal 57 – Syria in the Heart brings you twelve Syrian authors, and in addition, two from Palestine and Iraq. The focus on Arab literary modernism and its pioneers has been postponed on account of this most urgent subject of the future of Syria.
Soon after finishing the pizza, he turned on the TV to a porn channel to kill time. The only thing available in this country was porn channels, and there was a store just around the corner that would give you access to any channel for a little bit of money. Most of the owner’s customers were among the Islamists who had issued a fatwa that looking at non-Muslim women was OK
I entered the public library a few days ago to research an essay I am writing and asked the librarian for the room where the books I needed were shelved. He pointed me to a downstairs room accessed by a spiral staircase. I could not believe my eyes, which opened wide. It was the very same staircase from my dream!
Time has its own rhythm in Kuwait city, and two years later, Kawthar, in her late twenties approaches her father once again and tells him she would like to buy an apartment of her own. “This had the effect of an electric shock on him . . . I would have liked to tell him that the world had changed, that I had the right to live my life in peace, as I saw fit to.”
Perhaps the waterman wanted to exhaust them by allowing the hopeless confrontation to drag on until everyone grew too tired to let even one word escape their lips and so would leave before the battle came to an end. Uncle Abu Ali finally became exhausted, his parched throat finally letting him down. He gestured to those around him to bring him water. Someone handed him a jug of water that must have been hot by that time
Then a pile of banknotes fell out – a little surprise I wasn’t expecting. It looked like a lot, maybe one thousand guinay, given each note was worth ten, and there must have been a hundred of them. The officer slammed the palms of both hands down on the table, stunned to see such a huge amount of cash, though not as stunned as I was. That old man had been carrying all that money
Sudanese writers have been crowding onto the Arab literary scene in increasing numbers, making headway in several pan-Arab literary projects and prizes. With the majority of them living out of the country in the Arab Gulf or in Europe, they are creating almost a virtual Sudanese literary scene, one that cannot be silenced or censored.
Their fathers had had a special friendship. They had both fled the village of Samaria for Acre after the ’48 Nakba. Mufid’s father had got himself one of the shops offered to refugees and had opened a grocery, while Saber’s father had worked as a building labourer on the new Jewish settlements.
The company where he would work consisted of a number of different Arab nationalities. The interviewer, an engineer, asked him a number of questions, about his previous jobs and his experience. He was so pleasant that Nagi became suspicious, but in the end, he joined the team and learned in the first few weeks that the company was managing huge tourist projects on the coast of the Red Sea